“We’ve got to get one more.”Įmbiid’s shot came from near the spot where he missed a 3 at the end of regulation that could have won the game for the 76ers. “It felt great but the job’s not done,” Embiid added. All I had to do was finish, and I’m glad I did.
“Tobias set an amazing screen, Danny threw a great pass. The opening “Overture” is moving in itself, but when “An Ceapadh Eucorach” sweeps in, the effect of the massed pipes is quite overwhelming, picking you up by the ears and not letting you down till the closing “Saorsa”, where the massed choirs of Lewis add depth and power to the finale, joining strings, pipes, harp, saxophones, whistles and a huge batterie of percussion to build a Wall of Sound beyond Spector and Hadrian alike.“I’ll be there,” Drake replied about Game 4, which is set for Saturday afternoon in Toronto.Īfter 76ers coach Doc Rivers called timeout to save the possession as the shot clock was running down, Embiid took an inbounds pass from Danny Green and hit a turnaround shot from near the sideline before running back to his bench in celebration. It’s both artful - “The Uprising” punningly follows rising pipe scales - and packed with emotion throughout.
Elsewhere, the familiar desert-blues elements - chants, handclaps, keening, and waspish electric guitars - are applied to themes from love and homesickness to camel-racing and identity, in sometimes striking lines: “Give my regards to the revolution/Tell her that she flirts with anarchy”.Īllan MacDonald & Neil Johnstone - The Bruce 700 - Birnam - 4/5ĭownload this: An Ceapadh Eucorach The Uprising Bruce’s March Lament SaorsaĬommissioned to commemorate the 700th anniversary of the Battle of Bannockburn, The Bruce 700 is another crossover work, in this case blending standard orchestration with pibroch, the classical form of bagpipe music. But the results confirm the efficacy of musical crossover: the heavy, stoner-rock groove and stinging guitar of “Europa”, about Harouna’s decade of exile from his homeland, embodies that exile in European modes while the undulating, spiky polyrhythms of “Assoufenam” sounds like some Beefheartian oddity from Trout Mask Replica, bulging with disciplined joy. It’s hardly surprising that, as a combo congregated in Brussels around Saharan musician Anana Harouna, Kel Assouf should have reached a deeper compromise with Western music than most Tuareg desert-blues outfits. Download this: Assoufenam Europa Ahile Lamma Tikounen